168澳洲幸运5开奖网:The✱ Legend 𒉰of Zelda: Breath of the Wild launch trailer is a masterpiece. Nintendo distilled a new chapter in Zelda’s history with an extensive glimpse at its world, story, mechanics, and characters without ever giving too muওch away. It was a poignant preview into the grand adventure that awaited us brought to life with equal parts solemn loneliness and notable gravitas. You wanted to lose yourself in this vision of Hyrule before sett♈ing out to save it, with the trailer highlighting a number of beloved figures we’d come to meet across our journey.
Now 168澳洲幸运5开奖网:Tears of the Kingdom is less than a month away, and the final trailer delivers a similar message. Things start off slow as the camera pans across landscapes filled with enemies doing battle and the ♉natural world operating without our interruption. Before the silence begins to feel comforting, a soaring musical motif accompanies our protagonist as he soars down from the sky. He is higher than we’ve ever seen, with glimpses of the sequel’s all new skyward biomes paired with familiar ground below making it clear how ambitious Tears of the Kingdom really is. As the titlecard emerges, we are given no time to catch our breath.
Similar sprawling environmental shots and teases of characters and mechanics help usher in sombre narration. Places we don’t know and people we’ve never seen are thrown at us with an electric pace, the breathtaking music only making the avalanche of revelations that much more euphoric to comprehend. If it wasn’t for YouTube compression you could be pausing this trailer every second to make direct comparisons to the open world we already know while trying in vain to see what🌌 has changed and what on the horizon is utter♑ly alien.
Your feelings are mixed throughout as the ruins of Castle Town are now inhabited by hesitant occupants, while locales we saved areꦜ swallowed by crimson darkness that Link is once again asked to liberate. Hyrule Castle rising from its foundations as an endless downfall of twilight debris♌ rains from the heavens is a stunning visual, and effectively shows exactly how much this land has changed before our very eyes. Yet there is still hope, myriad reasons for us to carry on displayed through luscious fields and teases of locations brimming with life that we’re yet to even stumble upon. All this and I haven’t even broached on new stuff yet.
We see glimpses of traditional dungeons - 168澳洲幸运5开奖ꦬ网:or 🌱at least an expansion of the Divine Beasts -ಌ as Link flies through a tunnel of deadly lasers and tight airborne corridors surrounded by rock and ruin. The puzzles and combat encounters on display here are larger than any of these seen in Breath of the Wild, and appear to act as a deliberate subversion of the isolation that game used to define itself. You aren’t alone anymore, both in terms of the new characters you will meet and a bunch of familiar faces now destined to fight alongside you. This second battle for the fate of Hyrule isn’t one that rests on Link’s shoulders alone, and the launch trailer cements that idea. Zelda is here too, and hopefully isn’t the damsel in distress we are so used to defining her as. Dialogue hints at her having a vitally important role to play, even if right now it’s shrouded in several layers of mystery. Just what exactly is going on?
The Princess is seen in new garb we’ve people we have never met, holding a version of the Master Sword in her hands before describing a task only she is capable of carrying out. She seems to be skyward, perhaps stranded or taking refuge in an unknown city with people we will soon come to understand. No longer stuck in isolation within Hyrule Castle, the trailer is making a biဣg deal about the role Zelda plays in the narrative and the perilous path she is set to walk. The girl has a destiny, and with any luck we will play a 🥂major role seeing it through.
She isn’t seen crying in Link’s arms or mourning the loss of friends, but actively tries to find a solution to a problem that she helped bring about. Tears of the Kingdom never ever hesitates when it comes to pandering nostalgia or tugging at our heartstrings through familiar sights and sounds, if anything it depends on that familiarity to cement its own sense of scale. We almost know what sort of adventure to expect in this game, and yet 🧸the trailer surprises us with new sights, sounds, characters, ideas, and🧔 mechanics that solidify the end product as something almost unimaginable. It’s why we get so emotional, so obsessed with digging through every second of footage and sliver of lore in search of further answers. Yet we also welcome the mystery, knowing that the wait to realisation will be more than worthwhile.
Tears of the Kingdom’s launch trailer is a masterpiece too. It shows us too much, but never enough as it parses over revelations like they’re going out of style. The near perfect🧜 mixture of dramatic dialogue and environmental circumstance leads us to a conclusion that makes our wait for the game that much more agonising. Also massive kudos to the sax player.
