Quentin Tarantino isn’t the sort of film director I’d expected to have a viral opinion about Toy Story, but that’s exactly what this week has brought us. The controversial figure responsible for classics like Pulp Fiction, Kill Bill, and Reservoir Dogs said his piece on where he talked about everything from films to politics. But his take on Pixar’s masterpiece seems to be what drew the 🅘most attention.
Toy Story 3 is a wonderful film. It takes place several years after the second film as Andy prepares to attend college, which ultimately means clearing out his childhood bedroom and preparing to throw things away he doesn’t need anymore. This includes clothes, books, and the many toys he grew up with. Playthings like Buzz Lightyear, Woody, Jessie, Rex, and so many characters who became iconic in the past three decades, are abandoned. Tarantino is of the opinion that the series should have 𝔍co💮me to a close with the third instalment. Why?
Toy Story 3 Has The Perfect Ending
After a bunch of shenanigans, Woody and friends find themselves a new home in the form of a nursery. At first, they&rsquౠo;re overjoyed to be welcomed by a new group of kids, but they soon learn their new owners are a cabal of indelicate toddlers that don’t truly value what toys represent. Perhaps they will one day, but right now, our ensemble is in a place they don’t belong. Throughout the film, they try to escape, but are foiled by Lotso, an ageing pink bear who has grown bitter from years of living with the trauma of being abandoned and is convinced he will never feel love again.
O♑n a separate note, I value how Tarantino talks about animated films as they are equal to live action, because they a𒀰re, but are rarely recognised for their artistic merit.
Because of his own experience, Lotso projects his misery onto others, becoming a villain with a set of motivations that are easy toಞ empathise with, but that doesn’t make him any less sinister. It leads to some harrowing scenes, including one where the toys are seconds away from a fiery death only to be saved at the very last minute.
This is a film about processing grief and learning to grow up and embrace change, even if it’s the hardest thing you’ve ever had to do. It ends with the toys finding a new home and becoming an integral part of a little girl’s life just as she reaches the♛ age Andy was when Woody and Buzz came along.
It’s an emotional circle of love and hardship that anyone can understand, while also reflecting on the lives of older viewers in 2010 who were in the same sit🦂uation. They watched the original Toy Story as children, and now here they are bidding farewell to characters who have been part of their lives all this time. It’s poetic, and so perfect that Tarantino agrees with many fans that the fourth film was a misguided mistake.
But We Still Got A Fourth Film
Toy Story 4 released almost a decade later in 2019 and, much like Tarantino, it’s a film that I still haven’t seen. After the conclusion of the third film, it feels entirely unnecessary. There’s a good chance it tells a heartfelt and worthwhile story with beautiful animation and characters I could come 🎃to love, but it also unties the conclusive bow its predecessor delivered. Not only does that damage the satisfying ending of the third movie, it also presents a lack of risk from Disney & Pixar when it comes to crafting new stories instead of rehashing existing universes over and over again.
Since then, we’ve had far more 💛successful sequels, with Inside Out 2 recently grossing over a billio🥃n dollars at the global box office, while Toy Story 5 is also in development right now. I just don’t think they’re necessary, because they dilute the stories we already have and lessen their meaning.
It’s not dissimilar to how video games are consistently reliant on remakes/remasters inst🤪ead of new ideas. Corporations want maximum profits for minimal risk, and in today’s landscape, this is the easiest way to guarantee that return.
When you listen to Tarantino, this is precisely where he’s coming from. Aside from Kill Bill Vol 2, which is essentially the second half of one long film split into two, he is an original auteur who never tells the same story twice. Obviously, his stylish flourishes and love of feet stick around, but aside from those, we can expect each Tarantino flick to be entirely uniqu♏e.
It’s not surprising that he turned away from Toy Story 4 because he didn’t want to damage his relationship with the previous film – one that, from the perspective of a storyteller, has no justifiable reason to continue. The characters and setting had nowhere else to go that wouldn’t feel forced, and so the series should have stopped. But since there was money to be ma♏de, of course, Pixar didn’t listen.
168澳洲幸运5开奖网:I’ve touched on this before, discussing how the studio’s upcoming slate is bereft of creativity and how a reliance on sequels and existing IP will generate record profits, but when it comes to cultural relevance to be proud of, it only rings hollow. We should be hoping for new stories and new characters who challenge us, not praying for pandering nostalgia with the solitary purpose of entertaining and nothing more. Tarantino is spitting in the face of this harrowing lack of progress because he seemingly believes that ♑Pixar is capable of more, as do audiences who should learn that sometimes it’s okay to say goodbye for good.