When 168澳洲幸运5开奖网:Nintendo Music launched last year, it prompted a lot of criticism and questions. Why do I need a separate app to listen to tracks from Nintendo games? Why not just put the music on Spotify or Apple Music? Why do I need to pay for a 168澳洲幸运5开奖网:Nintendo Switch Online subscription? Why doesn’t it have all (or at least more) of🧜 the soundtracks up front?
And you know w𓆏hat? Those are all valid questions.
Well, arguably except for the pric꧑e. Given that it’s included with the base level $20 a year NSO subscription, not just the $50 a year Expansion Pack, the cost is reasonable — even if you never use all the other stuff that comes with the sub.
When most developers and publishers are simply putting their music on streaming platforms, why did Nintendo need to be s𓄧pecial? Why couldn’t it just be normal for once and let us listen where we already listen?
Fewer Options Means Improved Discoverability
I’d argue the fact that it decided not to be normal is why I’m listening to this music at all. When video game soundtracks are merely one more thing on a music streaming app, I don’t seek them out. When there’s new music from big artists like The Weeknd and Bad Bunny — plus endless opportunities to dive deep on iconic artists whose discographies I haven’t fully explored — video game OSTs tend to pass me by. The sheer number of options available on tradition🥂al music services is the business model’s obvious strength, but it’s alsoܫ why they can be overwhelming.
Nintendo Music has a more curated approach. This week, it added the OST for 168澳洲幸运5开奖网:Pokémon Sword and Shield. Last week, it added a playlist of handpicked Zelda tracks. A week before that, it added the soundtrack from 168澳洲幸运5开奖网:Mario Kart 7. Those targeted drops are the model, and it only adds one new soundtrack or playlist at a time. That gives each OST the space to find an audience, instead of simply being one drop in an ocean of content. I’ve never played more than a few hours of 168澳洲幸运5开奖网:Skyward Sword, but I listened to the excellent OST in its entirety solely 🍌because it was that week’s Nintendo Music release.
Nintendo Music is taking a different approach, shifting away from the buffet style of modern streaming, and presenting music more like how HBO rolls out one new show at a time. You know how when The White Lotus is airing on Sunday nights, it’s the only new show HBO is airing on Sunday nights? That’s 🤪how Nintendo Music works, too.
Analysis Paralysis Is Real
I’ve found that the further ꦉwe get into the streaming era — in music, TV, and movies — the more I want curation.
Especially since .
I want something that feels like it has been chosen by a person, not determined by an algorithm. I love that Criterion Channel started livestreaming a curated selection of movies 24/7 last year. As someone who grew up with cable, this kind of programming isn’t novel, but it can be a relief not to have to make a choice at every seco💃nd.
Successful creative 𓃲people often limit the choices they have to make in a day as a way to free their mind up for more significant decisions. David Lynch would go through periods where he ate the same thing for lunch every day for months or longer. But streaming services are always presenting endless options, endless potential❀ choices. Nintendo Music having fewer OSTs might seem like a negative but, for my brain, it’s a blessing not to have to think about one more thing. It helps that the music slaps, too.
The Nintendo Music App Is Quickly Becoming My 🎀Main Music Player
⭕What started out as yet another strange𒐪 move from Nintendo has grown into a killer music app.
