With 168澳洲幸运5开奖网:Furiosa: A Mad Max Saga currently showing in cinemas, I’m all about huge explosions and the burning of rubber, especially if I can do both of those things in the midst of a post-apocalyptic Australia. George Miller’s series has been the cult poster child for the end of the world ever since its inception decades ago, and Furiosa proves that this has ♊no chance of changing anytime soon.
But after I rewatched Fury Road for the first time in years, I still had a thirst, and so I turned to the Mad Max game I never played in 2015. Developed by Avalanche Studios of Just Cause fame, this open world adventure released a few months after Fury Road, but isn’t a direct adaptation. It takes a number of visual and thematic🥂 cues f📖rom the film, but is otherwise an isolated story.
Mad Max Isn’t A Classic, But It Definitely Deserves A Second Chance
In recent weeks, 168澳洲幸运5开奖网:major talent behind the game have 🔯spoken out on how it was doomed from the start by releasing on the same day as 168澳洲幸运5开奖网:Metal Gear Solid 5: The Phantom Pain. Meanwhile, Miller telling press that Hideo Kojima could make the perfect Mad Max game is awkwജardly throwing them under the bus a little 🍷bit. But this game ain’t half bad and made under a deluge of unfair circumstances.
For one, a selection of completed downloadable content was apparently ready to launch, but then unceremoniously cancelled when theꦿ game failed to sell a sufficient number of copies. I don’t think it sold because not only did it launch on the same day as one of the most eagerly anticipated open world games of the generation, but also months after hype for the franchise had die꧒d down following the arrival of Fury Road. It was pushed back, and , so what we eventually got is some sort of miracle in itself.
Don’t get me wrong, Avalanche’s Mad Max isn’t a masterpiec🐽e, but it does a stellar job of nailing the tone and atmosphere of this post-apocalyptic world. It feels pulled from the screen at times, with the sandy horizons turning from harsh whites to blood-red depending on the time of the day, all as you burn rubber and blow up War Boys on your adventurꦑe.
It mixes together Arkham-inspi🌟red melee combat, excellent v🐬ehicle traversal, and a rewarding gameplay loop where you are constantly cementing Max’s grip on the wasteland.
Mad Max Doesn’t Reinvent The Wheel, But It Sure Is Fun To Take It
At the time, it was seemingly criticised for sticking too closely to the Ubisoft school of open world game design, in that you are given a big old map of things to do and no limits to how much you can do while progressing the main 💯narrative. These complaints are legitimate, and now I am playing it for the first time, it t𒀰akes a solid few hours to gain a few worthwhile skills and feel like you aren’t just ticking off checkboxes as you raid camps, scavenge for scrap, and duke it out with other motorheads despite not having many tools to do so.
But persevere for a few hours, and you will be invading towering strongholds, outfitting your car (known as the magnum opus) with all manner of cosmetic features and uꦍpgrades, along with meeting characters both new and familiar from the likes of Gastown and Bullet Farm.
You are encouraged to go anywhere and do anything, even if this curiosity is ultimately hindered by the need to play icon janitor across a beautifully ruined world. I grew up loving Mad Max, watching the original films with my dad and developing a fondness for the a💞pocalypse that Iꦕ never expected to be able to live out myself. Avalanche tried to make that possible, even if it was forced to create a specific type of game within a strict time frame, it still managed to put out a visually striking and mechanically competent gem that was dealt a bad hand.
Years later, fans seem to be rallying behind it, encouraging newcomers to give it a first or second chance. It was given away for free on PlayStation Plus and is sold for a few pennies on Steam in most sales, and works perfectly on the Deck to boot. We live in an era where open world games have shifted and changed dramatically, to the point where most of whওat Mad Max does incredibly well still feels archaic in retrospect. But as it pushes ten years old, this also gives it some sꦰort of nostalgic charm, a reminder of how the genre used to be wrapped up in a brilliantly executed licence of a property that is still going strong.
