168澳洲幸运5开奖网:Lies of P is pretty good - better than it has any right to be. Games inspired by the masterful works of 168澳洲幸运5开奖网:FromSoftware are often pale imitators, sporting luscious aesthetics while presenting gameplay mechanics and exploratio🌞n that fail to recognise what makes the Japanese developer’s titles so special. Some came close, but none can replicate them.
Neowiz tries real hard with Lies of P, which brazenly imitates many of 168澳洲幸运5开奖网:Bloodborne’s graphical ♕and mechanical ideas, right down to the point where its user interface is almost identical, the weapons can be combined in a number of different permutations, and much of the game will be spent exploring a decaying city before stumbling into more and more Eldritch locations all filled with deadly monsters and traps to contend with. It’s creatively bankrupt, but still carves its own path forward fille𝓀d with compelling narrative decisions, strong characters, and a keen understanding of why we all fell in love with Bloodborne in the first place.
The first thing you’ll notice in Lies of P is how it tells a more conventional story. Characters are introduced with minimal room for cryptic interpretation, while it’s obvious from the off that you are a gothic version of Pinnochio embarking on a dark, foreboding fairy tale. The city💮 of Krat has become overrun with puppets who have turned against their oppressive masters, taking on a sense of human agency that they have long been denied. Some are homicidal creatures, but others - yourself included - have a greater idea of who you are and want to be. Telling lies to people in the world will even affect what ending you get, subtly incorporating player choice into a conclusion that isn’t always explained, but that’s the entire point.
Few Soulslikes are able to match the natural feeling of discovery that FromSoftware conjures so well. New areas are always approached with hesitation, our character walking slowly around corners and into buildings knowing that threats await that are capable of destroying us in seconds.🎐 But once you’ve seen these ౠplaces a dozen times, they become playgrounds to be ruled over as you dispatch once powerful enemies with ease. You feel like a god, able to return to old haunts thanks to shortcuts that feel perfectly interwoven into the open world.
Lies of P’s opening districts are just like this. You’ll go from street level to archaic rooftops only to kick down a ladder granting you access to past layers of the area, or unlock electric doors that lead to stargazers capable of restoring your healing items and offering a brief moment of respite. You never want to stick around for too long though, because there is always a new discovery to be made just around the corner. Always pushing forward, but forev𒁏er fascinated with what you might have left behind or can return to once you’re more powerful and ready to conquer this place that previously felt insurmountable.
There’s also a weighty significance to combat that perfectly mimics Bloodborne while also adding a handful of worthwhile additions. Bloodborne had weapons that could instantly shift between two forms such as the Saw Cleaver and Kirkhammer. One form could be a sword perfect for agile, close quarters encounters, while the other is a hammer perfect at staggering larౠger monsters. These weapons were upgradable too, so the majority of players would pick select favourites and take them right until the very end. Lies of P is similar, but it seems you’re encouraged to use a selection of handles and weapon types to make your own creations.
I love the versatility on display here that can’t be gamed for an easy win. Instead, each weapon has unique pros and cons to consider. The special moves are also an added boon, dealing decent damage and also stagger foes leaving them open for devastating special moves. There’s an arcade edge to Lies ofꦛ P that isn’t afraid to deviate from the Soulsborne formula sometimes, but in doing so it never sacrifices the depth we’d expect from this type of combat. You’re a highly advanced puppet running on some form of nebulous technology, so it feels natural for the gameplay to take advantage of that with some incredible abilities. You’re still vulnerable, yet capable of always outsmarting your adversaries with the right approach. Like Bloodborne, it’s all about skill.
Everything has weight, the atmosphere is palpable, and there’s an overriding aura of tense mystery begging to be poked and prodded at. Lies of P might only understand the brilliance of FromSoftware because it rips from its greatღest work so shamelessly, but this liberal approach is much preferred to games like The Surge or Lords of the Fallen which try to reinvent what was never broken in the first place. Lies of P leans into what works and embraces it, while knowing exactly what it can chop and change in pursuit of it🍰s own innovation.
