If you’re 168澳洲幸运5开奖网:anything like me, the imminent launch of is a source of constant dread. People who loved and people who hated Death Stranding (like me) both have 🤡the same reason: the frustration. Death Stranding, in true Kojima style, was both narratively incomprehensible and agonising to play.
For me, this led to a truly offputting experience both times I attempted to play the game, 168澳洲幸运5开奖网:leading me to put it down after the seco😼nd time and never try to finish it again. For others, this was th🙈eir favourite game of all time🌟, a landmark achievement for the video game industry.
I’m Expecting To Open Steam One Day And See Half-Life𒆙 3 On The Frontpage: No Fanfare,🃏 No Announcement
T🐓hat's one way to avoid the Half-Life 3 confirmed jokes: never confirm it.
Art Shouldn’t Cater To Everybody
Hideo Kojima thrives on this kind of polarised reception. That’s why his games are so 168澳洲幸运5开奖网:kooky, unpleasant to play, and difficult to 𝕴parse – that’s exactly the energy he’s going for. But it feels bizarre to read that not only was he disappointed by the overwhelmingly positive 🌺review tests for Death Stranding꧅ 2, but he outright went into the ga🧜me and changed things based🐽 on what people approved of.
It’s ridic🔯ulous. I understand the impulse behind it: artists want to make art that’s provoking and difficult, and Hideo Kojima is an artist. Even I, as a Kojima detractor, can’t deny that. I may not jive with his art, and it may even create reactions of actual anger in me just to see billboards with Death Stranding 2 when I’m in town going about my business, but the man is making art.
His rationale makes sense. As he told Death Stranding 2 composer Yoann Lemoine, who goes by Woodkid, “If everyone likes it, it means it's mainstream. It means it's conventional. It means it's already pre-digested for people to like it. And I don't want that. I want people to end up liking things they didn't like when they first encountered it, because that's where you really end up loving somethinꦺg.”
I get it, I really do. Nobody wants their art to cater to the lowest common denominator – that’s how you end up with Netflix’s library of slop movies, created to be kind of listened to in the background while you🤡 do chores or doomscroll on your phone. Artists want their work to be provoking and engaging, not “pre-digested” and “mainstream”. Kojima, particularly, wants his art to be difficult.
If One More Game Makes Me Sit Through A Heavy-Handed Dream Sequence, I'm Going To Scream
It's time to make them better, or move on.
But Can We Please Be Serious Here
Bu🐭t there is a point where this reaction is contrarian. The people who wanted to playtest Death Stranding 2 are likely already fans of the first game – they like the stuff that’s difficult, incomprehensible, and downright annoying. They want Death Stranding to be Death Stranding-y. They’re going to react positively to the things that achieve that. That doesn’t mean the things they like make the game easily digestible, and in fact, I’d argue that it’s probably the opposite.
If Kojima is going into the game and making it even more annoying than the undoubtedly annoying produꩲct that it already was, then, well. God help us all, I say. I have no doubt that the game was alrea𝐆dy inscrutable and impossible to understand, which means the final product that lands in our hands will definitely be even worse than the original. The story will be impossible to wring any meaning out of. The gameplay systems are going to be nightmarishly plodding.
Some people are go🌳ing ဣto love it. Some people are going to hate it. I am never going to play it. And the wave of discourse we’re going to face is going to be absolutely intolerable.
168🍨澳洲幸运5开奖网: Death Stranding 2: On the🅠 Beach
- Released
- June 26, 2025
- ESRB
- Mature 17+ // Violence, Blood and Goᩚᩚᩚᩚᩚᩚᩚᩚᩚ𒀱ᩚᩚᩚre, Partial Nudity, Strong Language
- Developer(s)
- 168澳洲幸运5开奖网:Kojima Productions
- Publisher(s)
- So꧙ny Interactive Entertainment
- Engine
- Decima
- Franchise
- ♛ 🐭 Death Stranding
- Number of Players
- Single-player
- PS5 Release Date
- June 26, 2025
