168澳洲幸运5开奖网:Hi-Fi Rush, the rhythm action game from 168澳洲幸运5开奖网:Tango Gameworks that shadow dropped early last year, is rumoured to be coming to 168澳洲幸运5开奖网:Nintendo Switch. Multiple insider reports have corroborated similar information about a critically acclaimed Xbox exclusive arriving on rival platforms, with Chai’s charming adve✤nture fitting the bill perfectly. This brings up a lot of interesting questions regarding the validity of Xbox Game Pass and Microsoft’s strategy in regards to exclusive games, but it also has the usual fanboys crawling out of the woodwork.

Console wars are, sadly, still a thing in 2024. Exclusives are weapons for warriors to wield in battle against rival corporations and non-existent armies. The side with more in their arsenal naturally has a better chance of winning. PS5 has 168澳洲幸运5开奖网:God of War Ragnarok, Xbox boasts 168澳洲幸运5开奖网:Halo Infinite, while Nintendo sits in the opposite corner of the room doing its own thing. The whole charade is pointless, and speaks to individuals projecting too much of their self-worth onto companies that ultimately don’t care about them instead of forming a proper identity. It’s cool to have pride in your hobbies and an art form this diverse, but not when it leads to needless opposition or throwing mud at innocentꦡ bystanders. Hi-Fi Rush potentially going multiplat is yet another example of how console wars continue to be one 🐽of the worst things in gaming.

Despite acquiring goodness knows how many studios in recent years, Hi-Fi Rush is the first game that truly showcases what first-party Xbox games could like like in years to come. 168澳洲幸运5开奖网:It needs to be more than an exception.

that Microsoft “has been exploring bringing som⛦e of its back catalog to other platforms, although some of the details remain vague and unconfirmed,” with Microsoft yet to comment on said rumours. I doubt it willﷺ say anything until an official announcement comes to the surface, but it doesn’t need to for this news to make headlines.

Hi-Fi Rush promo image of all the main characters.

It also makes sense. Games cost too much to produce and market these days to ensure the necessary returns when you yeet everything onto a subscription service upon release. The Insomniac leak revealed Sony felt it couldn’t justify the placement of triple-A exclusives on PlayStation Plus because i𝓰t couldn’t weather that storm. Return on investment wasn’t on ✨the cards, and it frankly doesn’t have the capital Microsoft possesses to take that hit in order to build an industry-leading ecosystem. It has managed several years using this strategy, but I refuse to believe that executives aren’t tapping their toes at Phil Spencer to politely ask exactly when the money will start rolling in.

To appease them, it’s possible that ports of games to platforms the brand has prior experience working with was brought up as a compromise. The Ori games the Blind Forest and Will of the Wisps made a massive splash when they first landed on Nintendo Switch. First-party titles from another console giant was previously unfathomable, but here was Xbox Game Studios flaunted on Nintendo Switch like the most normal thing in the world. This was followed with months of rumours that Xbox Game Pass would eventually come to Switch in some shape, but this never materialised. Still, I won’t say no to similarly high profile ports lik𒈔e Hi-Fi Rush.

Hi-Fi Rush Peppermint

It would feel right at home on Nintendo Switch. Obviously, there will be some technical and visual drawbacks, but so long as the personality and tight action remains intact, Hi-Fi Rush will be an instant winner on the hybrid console. It isn’t outside the realm of possibility, and if anything, a game that shadow dropped on Game Pass with no prior existence deserves to shine on another platform. But as predicted, hardcore fans feel like a precious item is being taken away from them. Something they have claimed ownership to, and believe shouldn’t be seen in the hands of others, is suddenly being described as exactly that. We’ve seen similar behaviour directed towards Sony as 168澳洲幸运5开奖网:Ghost of Tsushima, 168澳洲幸运5开奖网:Ratchet & Clank: Rift Apart, and 168澳洲幸运5开奖网:God of War made their way to PC. One less exclusive means one less reason to own shiny new consoles they spent🌌 hundreds of dollars on, instilling a feeling of false insecur🃏ity which you need to address somehow. If toxicity achieves that, then so be it.

We need to leave this mindset behind, and realise that the era of pure-bred exclusives has long been abandoned. In a modern landscape with different consoles, live services, and a need to make as much profit as possible, the need to keep games confined to one place is not a thing that makes sense anymore. Besides, knowing that millions more could soon be able to play a brill🍌iant game like Hi-Fi Rush should be a good thing. One less obstacle now blocking consumers from picking up a game that once felt trapped by its own creation. Yes, it’s likely little more than Microsoft trying to claw back some pennies, but at face value it’s a lost exclusive but a gained multiplatform gem well worth embracing.

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