Any fan of 168澳洲幸运5开奖网:Final Fantasy knows the importance of music to the franchise. The games have featured groundbreaking composers such as Nobuo Uematsu, big-name pop stars like Faye Wong, and 168澳洲幸运5开奖网:soundtracks so popular that they have inspired concerts such a💧s Distant Worlds: Music Frꩲom Final Fantasy.
While Final Fantasy boasts some of the most beloved characters and plots of any✤ video gam🌄e series, music has always been central to its narrative and character work. Here are some of the most beloved moments where Final Fantasy games use music to help tell their stories and develop their characters. Fans will remember them forever.
10 Final Fantasy 10-2's Real Emotion: Yuna Comes Out Of Her Shell
Yuna's character growth is central to Final Fantasy 10-2. In 168澳洲幸运5开奖网:Final Fantasy 10, she is a self-sacrificing summoner whose entire life has been about her responsibility to a greater mission. After she suffers a major loss, the second game sees her embracing a newfoun💫d bol꧋d individuality and carving out her own path.
Final Fantasy 10-2 opens with a concert, where Yu𝄹na performs an upbeat song in front of a crowd, reveling in her confident and daring persona. While it is later revealed that the person performing the song is actually Leblanc in disguise, the song still sets the scene for the impetuous and daring Yuna we see throughout the game.
9 Final Fantasy 8's Liberi Fatali: Showing Off The Gunblade
While controversial amongst fans, 168澳洲幸运5开奖网:Final Fantasy 8 introduced 168澳洲幸运5开奖网:one of the series' most unique weapons: the gunblade. Different takes on the gun/sword weapon have appeared in various other titles since, but this installment showed it off in sꦯpectacular style from the start.
Final Fantasy 8 begins with an intense gunblade battle, showcasing the game’s groundbreaking full-motion-video graphics, which were stunning for 1999. As Squall and Seiꦯfer duel, an intense operatic choir sings in Latin backed by sweeping orchestral majesty that sets the tone for one of the most thrilling fight scenes in Final Fantasy history and mark the debut of the gu﷽nblade.
8 Final Fantasy Tactics' Blades of Grass: Memories of Childhood Innocence
Near the beginning of 168澳洲幸运5开奖网:Final Fantasy Tactics, childhood friends Ramza and Delita recall learning to make music by blowing through a blade of g🌠rass. The two bond over their innocent childhoods while confronting the fact that they will soo🐻n lose that innocence to a bloody war that rips them apart.
The two are separated and spend the rest of the game on sepa🔯rate paths. However, there are recurring moments where characters pick up a piece of grass and blow into it to make music. These moments use a simple musical sound to powerfully remind audiences of Ramza and Delita’s bond, and the innocence that the war has destroyed.
7 Final Fantasy 7's One-Winged Angel: A Chorus of Voices
168澳洲幸运5开奖网:Final Fantasy 7 was released in 1997, when voic✃e acting was still rare and exciting. One-Winged Angel was the first Final Fantasy song with vocals, and was the f🧸irst time that many people heard a song with vocalists singing in a video game.
The song is still😼 impressive by modern standards (a chorus of Latin voices elevates the intensity of the final boss fight), and was even more meaningful at a time when vocals were rare in video game music. A stunning piece that has come to define the iconic antagonist, Sephiroth.
6 Final Fantasy 10-2's 1,000 Words: The Horrors of War
A major theme of Final Fantasy 10-2 is learning from t🅰he past to prevent disaster in the future. When the land of Spira is riddled with conflict and on the verge of war, Yuna turns to history to remind everyone of the costs of violence. She stages a concert, where she sings a song about the story of Lenne, a woman who died along with her lover during a war.
The only way for Yuna to reach the violent crowd and share Lenne’s tragic story is through song. The scene demonstrates the literal power of music, as the moving song calms the crowd by forciꦦng them to confront the tragedy of the events that ended Lenne’s life.
5 Final Fantasy 9's Not Alone: Friendship Overcomes
168澳洲幸运5开奖网:Final Fantasy 9 is a meditation on the relationship between destiny and free will. It also questions what it means to be human. These themes come to a head when the protagonist, Zidane,🎀 learns that he is actually an artificially created being known as a genome. Shocked, he pushes his friends away as he is disgusted by what he is.
Following this revelation is an extended sequence punctuated by the empowering and motivating song “Not Alone.” As Zidane’s friends fight to prove that they still love him and w🌠ill still stand by him, the music uplifts the player through one of the Final Fantasy franchise’s most emotionally challenging revelations.
4 Final Fantasy 8's Eyes On Me: Love Persisting Across Generations
Before the start of Final Fantasy 8’s main plot, a young soldier named Laguna falls in love with a songstress named Julia. The two are separated because of a war, and never see each other again; both move on🐈 with their lives and eventually marry diff♏erent people.
Years later, Julia’s daughter Rinoa and Laguna’s son Squall (as is heavily-implied) meet and fall in love, bri🐬nging closure to the love story that their parents were denied. It is revealed that Julia wrote 🔥a song about Laguna called Eyes On Me. This beautiful song about longing and unrequited love plays over romantic scenes between Squall and Rinoa, reflecting on the way their relationship fulfills the love between Julia and Laguna, which was destroyed by war.
3 Final Fantasy 7's Aerith’s Theme: Coping With Loss
For many gamers, Final Fantasy 7 was the first time they had experienced a major playable character’s permanent death. While characters in RPGs die quite often, it is much rarer for a major playable party member to be 168澳洲幸运5开奖网:irreversibly killed off. A flower girl from the slums who must come to terms with a power and destiny that she never asked for, Aerith is a sympathetic character who is d𓄧ear to many gamers’ hearts, and her death shock🌌ed and devastated fans.
The scene would not have been as impactful without Aerith’s Theme. The mournful, lullaby-esque track plays once earlier in the game, when Aerith’s mother tells the others about her tragic childhood. When the song recurs this time, right after Aerith is stabbed, players are transported back to this emotional scene from earlier in the game. This c🤪ontinues to stand as of the most emotionally impactful and beloved musical m🃏oments from any Final Fantasy game.
2 Final Fantasy 14's Dragonsong: Mourning Generations Of Conflict
168澳洲幸运5开奖网:Final Fantasy 14: Hﷺeavansward tells the story of two warring nations: the Holy See of Ishgard and the Dravanian Horde. This thousand-year war led to𒉰 a millennium of intergenerational hatred, prejudice, and suffering.
The Dragonsong music is subtly incorporated throughout Heavansward: a short clip from it plays every time you accept a quest. Its significance is not revealed until the full song is played after a major plot twist. The protagonist discovers that Dravanians and Ishgardians used to be close allies, and that the war began due to an act of selfish betrayal. After this hidden history is revealed, the emotional Dragonsong plays in its entirety, with heartbreaking lyrics about the loss of trust that turned these two nations into enemies. The game also has 168澳洲幸运5开奖网:an incredible intro theme.
1 Final Fantasy 6's Opera Sequence: Celes Takes The Spotlight
Fans of Final Fantasy 6 often point to the Opera Sequence as one of the reasons why they 🧸love it so much. In the scene, battle-hardened knight Celes disguises herself as an opera singer for an undercover mission. Celes is one of the most complex Final Fantasy characters: a former general for the evil Gestahlian Empire, she becomes disturbed by the horrible actions of the empire and leaves.
Conflicted between the sins of her past and her desire to fight for a better future, Celes is haunted by internal struggle. The opera requires her to embrace a moment of vulnerability and emotional openness as she performs as Maria, a simil✨arly conflicted character, and uses music and opera to express struggles that she has k♔ept suppressed.
